Do Preferences for Pop Music Converge Across Countries? - Empirical Evidence from the Eurovision Song Contest

Ilmenau Economics Discussion Papers, Vol. 20, No. 101, 2016

35 Pages Posted: 16 Jun 2016

See all articles by Oliver Budzinski

Oliver Budzinski

Ilmenau University of Technology

Julia Pannicke

Ilmenau University of Technology

Date Written: June 15, 2016

Abstract

The combination of the digitalization of cultural goods and facilitated cross-border availability through the internet fuels a globalization process that is often said to cause a homogenization of demand across countries, in particular, for entertainment goods as music and movies. In the markets for music, this implies that the same hits and the same artists should be popular across countries and cultures. In order to test this hypothesis, we analyze historical voting data of the Eurovision Song Contest, the worldwide biggest live broadcasted international music competition between all countries of the European Broadcasting Union. It covers the period from 1975-2016 where digitalization and internet availability were invented and evolved into mass phenomena. Consequently, according to the outlined theory of homogenization of preferences, voting should have become more concentrated on the leading artists and less focused on regional differences in taste. For the purpose of detecting concentration trends in the points allocation, we employ different indicators for measuring concentration. First, we calculate a concentration ratio, representing the accumulated total number of points of the top three, five and ten-placed countries in each year of the contest. Second, we calculate the Herfindahl-Hirschman-Index (HHI) and, third, the Gini-Coefficient for each year. Furthermore, we test trendlines for statistical significance. The results show, that our analysis cannot support the thesis of preference homogenization. We find no significant trend towards preference convergence. In contrast, some of the employed indicators and methods point towards significant, albeit weak, deconcentration trends in voting behavior for the contest.

Keywords: cultural convergence, Eurovision Song Contest, media economics, cultural economics, empirical economics

JEL Classification: Z10, L82, F60, C01

Suggested Citation

Budzinski, Oliver and Pannicke, Julia, Do Preferences for Pop Music Converge Across Countries? - Empirical Evidence from the Eurovision Song Contest (June 15, 2016). Ilmenau Economics Discussion Papers, Vol. 20, No. 101, 2016, Available at SSRN: https://ssrn.com/abstract=2796033 or http://dx.doi.org/10.2139/ssrn.2796033

Oliver Budzinski (Contact Author)

Ilmenau University of Technology ( email )

Ilmenau, D-98684
Germany

HOME PAGE: http://www.tu-ilmenau.de/wth

Julia Pannicke

Ilmenau University of Technology ( email )

Ilmenau, D-98684
Germany

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