Representations of Law and the Nonfiction Novel: Capote's in Cold Blood Revisited

25 International Journal for the Semiotics of Law 355 (2012)

8 Pages Posted: 14 Nov 2014

See all articles by Shulamit Almog

Shulamit Almog

University of Haifa - Faculty of Law

Date Written: 2012

Abstract

The article describes the way in which law-related events are represented in Truman Capote’s In Cold Blood. Based on a narrative analysis, the paper will posit that In Cold Blood played a particular role in originating and shaping an innovative mode of representing law-related events, a mode that was widely employed since, in various artistic mediums and in popular culture. As the paper further elaborates, Capote’s work paved new ways for challenging the conventional boundaries between “reality” and “fiction” with regard to the representation of law-related events. The paper will also maintain that in addition to its contribution to the law and literature discourse, In Cold Blood can be also seen as an early prototype to the digital legal spectacles that are now common. Revisiting In Cold Blood reveals not only its standing as originating model of many present-day cultural representations of the legal system in action, but also the essential difference between the almost unrestrainedly produced digital law-related content, to a artistic enterprise, characterized by poetic distinctiveness.

Keywords: Truman Capote’s, Cold Blood, Representations of Law, Nonfiction Novel

Suggested Citation

Almog, Shulamit, Representations of Law and the Nonfiction Novel: Capote's in Cold Blood Revisited (2012). 25 International Journal for the Semiotics of Law 355 (2012), Available at SSRN: https://ssrn.com/abstract=2523452

Shulamit Almog (Contact Author)

University of Haifa - Faculty of Law ( email )

Mount Carmel
Haifa, 31905
Israel

Do you have negative results from your research you’d like to share?

Paper statistics

Downloads
176
Abstract Views
1,218
Rank
307,910
PlumX Metrics