Revisiting Innovative Technologies to Determine Substantial Similarity in Musical Composition Infringement Lawsuits

The Law Reviewof the Franklin Pierce Center for Intellectual Property v. 59, no. 1, (2018)

Saint Louis U. Legal Studies Research Paper No. 2018-19

24 Pages Posted: 20 Apr 2020

See all articles by Yvette Joy Liebesman

Yvette Joy Liebesman

Saint Louis University - School of Law

Date Written: 2018

Abstract

Amusic video by SirMashalot2 combines six awardwinning popular country-western songs,[3] demonstrating the amazing similarity among the tunes. Not mentioned by the mash-up[4] artist is that none of the songs are infringing on any of the others. While all copied the same chord progressions, none copied any protected copyrightable expression, and thus none of the authors of the melodies are infringing.

It is often difficult to determine if there has been unlawful copying of a song. Currently, a judge or jury relies on music experts who analyze the songs based on a limited number of characteristics in a head-to-head comparison. In addition, these finders of fact may not have an adequate musical knowledge base to make a bona fide determination. For example, in Dawson v. Hinshaw Music,[5] the finder of fact had to compare the sheet music of the two songs in question, even though he did not know how to read sheet music.[6]

Suggested Citation

Liebesman, Yvette Joy, Revisiting Innovative Technologies to Determine Substantial Similarity in Musical Composition Infringement Lawsuits (2018). The Law Reviewof the Franklin Pierce Center for Intellectual Property v. 59, no. 1, (2018), Saint Louis U. Legal Studies Research Paper No. 2018-19, Available at SSRN: https://ssrn.com/abstract=3578135

Yvette Joy Liebesman (Contact Author)

Saint Louis University - School of Law ( email )

100 N. Tucker Blvd.
St. Louis, MO 63101
United States

HOME PAGE: http://www.slu.edu/law/faculty/yvette-liebesman.php

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